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Displaying clips 4081-4104 of 10000 in total
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Water Bird - Canadian Geese
Clip: 427664_1_1
Year Shot:
Audio: Yes
Video: Color
Tape Master: 2069
Original Film:
HD: N/A
Location: North America
Timecode: -

TAPE 1 Canada geese fly down river

Water Bird - Female Common Merganser
Clip: 427665_1_1
Year Shot:
Audio: Yes
Video: Color
Tape Master: 2069
Original Film:
HD: N/A
Location: North America
Timecode: -

TAPE 1 Female common merganser swims and preens

Water Bird - Canadian Geese
Clip: 427666_1_1
Year Shot:
Audio: Yes
Video: Color
Tape Master: 2069
Original Film:
HD: N/A
Location: North America
Timecode: -

TAPE 1 Canada geese fly over

Water Bird - White Pelican, Mallard Ducks
Clip: 427667_1_1
Year Shot:
Audio: Yes
Video: Color
Tape Master: 2069
Original Film:
HD: N/A
Location: North America
Timecode: -

TAPE 1 White pelican preens and swims White pelican takes off from water Mallard ducks flying White pelican fishing, swimming and taking off

Water Bird - Mallard Duck
Clip: 427669_1_1
Year Shot:
Audio: Yes
Video: Color
Tape Master: 2069
Original Film:
HD: N/A
Location: North America
Timecode: -

TAPE 1 Mallard duck and young feeding

Water Bird - Canadian Geese
Clip: 427670_1_1
Year Shot:
Audio: Yes
Video: Color
Tape Master: 2069
Original Film:
HD: N/A
Location: North America
Timecode: -

TAPE 1 Canada geese and young, almost grown

August 2, 1994 - Part 2
Clip: 460264_1_1
Year Shot: 1994 (Actual Year)
Audio: Yes
Video: Color
Tape Master: 10066
Original Film: 102873
HD: N/A
Location: Dirksen Senate Office Building
Timecode: -

(11:05:15) Indeed, you didn't draw the wrong lessons. You also, later on, said, "such an incredible city that's been battling with RTC/Madison, wrote 2 pages about what's been going on, suddenly realized, I could be subpoenaed like Packwood's, and the most innocuous comments could be taken out of context." So on that subject, nothing, and you didn't destroy your diary. You left your diary. We have it. I think there is, in all of this, a very refreshing kind of truthfulness, almost innocent observation of the goings on of Washington. It, therefore, troubles me, a little bit, that you now want to dis- tance yourself to a certain degree or try to cast some nuances on it, though I'm not sure that's where you're going. I want to try to explore it a bit. There are five separate references in your two extractions to the subject of recusal. First, you say should RA recuse himself or should he stay involved. You discuss the hurdle and that's between January 24 and February 12. Then later on, between February 13 and 27, so we're spanning the period of about a month here. You then say, for weeks, we have been battling over bow RA should handle the investigation. Initially, we all felt he should recuse himself. Then you have the White House saying it was unacceptable. Then you say, at the hearing, the recusal amazingly did not come up, with a sense of relief that this great topic of recusal didn't come up. Then you say, the next day The New York Times ran a front page story. The heat was on. We spent a tortured day, which has been referred to by Senator Shelby, trying to decide if he should recuse himself Again, recusal is front and center. All of a sudden, despite all of this torture, despite all of these weeks- of discussions, despite all of the pressure, Hal Raines seems to be able le to elicit from Roger Altman what no one else could, which was a quick recusal on the telephone. Again the recusal is sort of front and center. Now, if you go into your preparation of all of the questions with Mr. Altman appearing before this Committee, why are you unwilling to recuse yourself? And he answers the question, or the suggestion was, well, I will not- what is it, play any role in the RTC's eventual decision, I will not be doing so. I will, therefore, have no role in the RTC's decisions on the matter. Next, you should still recuse yourself, why don't you? As I said, I'll have no role in the RTC's decisions on pursuing the claim. 348 These are all, these are not the actual answers; these are suggestions. But most of all Senator, the circumstances are such that I'll not be playing any role. Again, doesn't your relationship with the President and Mrs. Clinton require recusal? Answer, again being proposed, I'll not be playing any role- there., fore, there won't be any appearance of conflict. I am absolutely struggling to understand why it merited being' such a tortured process. Why there was such weeks and weeks of discussion. Why you spent days on this issue, if he isn't going to have any role, if he isn't going to make any decision, if he isn't going to be involved. Then why did it -matter whether he stayed or not? You've said here there were only two reasons for his staying, the precedent and to guarantee impartiality. How do you guarantee impartiality if you're not going to play any role? Mr. STEINER. The second point that you make, how do you guarantee impartiality if you're not going to be involved. I think Mr. Altman had said repeatedly, both to RTC and Treasury staff, that he wanted this case handled in a completely impartial, nonpolitical fashion. That's how you guarantee impartiality. Senator KERRY. I'm not sure if you're not involved and you're not playing any role, you can't know what's going on. TO guarantee impartiality, you have to make a decision. You have to say, no, you can't do that. Don't pursue this or don't pursue that. If you're genuinely leaving the investigation up to Kulka, what on earth was there to remain involved for?

Clip: 441568_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 617-4
HD: N/A
Location:
Timecode: -

Has no title

Clip: 441569_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 617-5
HD: N/A
Location:
Timecode: -

Has no title

Clip: 441570_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 617-6
HD: N/A
Location:
Timecode: -

Mexico today

Clip: 441571_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 617-7
HD: N/A
Location:
Timecode: -

"Mexico today"

Clip: 441572_1_1
Year Shot:
Audio: No
Video: Color
Tape Master:
Original Film: 618-1
HD: N/A
Location:
Timecode: -

Factory workers (Mexico)

Clip: 441573_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-2
HD: N/A
Location:
Timecode: -

White building

Clip: 441574_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-3
HD: N/A
Location:
Timecode: -

Calexico shirt factory

Clip: 441575_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-4
HD: N/A
Location:
Timecode: -

Mexico crowds (Mexicali)

Clip: 441576_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-5
HD: N/A
Location:
Timecode: -

Hotel in Mexicali

Clip: 441577_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-6
HD: N/A
Location:
Timecode: -

Traffic across border

Clip: 441578_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-7
HD: N/A
Location:
Timecode: -

Girls - swimming (Mexicali)

Clip: 441579_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-8
HD: N/A
Location:
Timecode: -

Mexicali - businessmen

Clip: 441580_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-9
HD: N/A
Location:
Timecode: -

Mexicali - tourism, etc.

Clip: 441581_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-10
HD: N/A
Location:
Timecode: -

Young men sitting / walking

Clip: 441582_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-11
HD: N/A
Location:
Timecode: -

Girls in pool (Mexico)

Clip: 441583_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-12
HD: N/A
Location:
Timecode: -

Mexicans playing instruments

Clip: 441584_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 618-13
HD: N/A
Location:
Timecode: -

Mexicali - men and women on machines

Displaying clips 4081-4104 of 10000 in total
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